Tim Horton and Robin IrelandWEDNESDAY 11 July 2012 at 7.30pm

 

Come and join us for a Potton Hall first as a member of the audience for a concert which is being recorded for release on CD.

Robin Ireland and Tim Horton formed their Duo in 2009. Robin was the violist of the celebrated Lindsay String Quartet for twenty years, and brings his enormous musical experience and his love of performing to the small but wonderful repertoire for viola and piano. Tim is pianist with Ensemble 360, and is one of the most highly regarded chamber music pianists in the country, as well as being increasingly admired as a solo pianist. Robin and Tim met in Sheffield, where they both live, and instantly discovered a deep musical rapport and mutual respect. Their Duo partnership forms a small but precious part of their careers. Jeremy Hayes has collaborated with both musicians for many years, as recording producer of The Lindsays and Ensemble 360 and he worked with both of them here at Potton Hall on their first CD together, of music by Prokofiev and Shostakovich. In this concert Robin and Tim will be playing three masterpieces: the two sonatas by Johannes Brahms and the Arpeggione Sonata by Franz Schubert.

With his two sonatas for viola and piano Brahms effectively established a new genre, because before they were written there were virtually no major sonatas for viola and piano, except for the unfinished sonata by Glinka. These two marvellous works were Brahms’s very last pieces of chamber music, written in his twilight years as sonatas for clarinet and piano which Brahms then adapted, with a good deal of recomposition for viola and piano. Brahms often liked to compose dissimilar pairs of works and that is certainly the case with these two sonatas, the turbulent passion of the first contrasting with the more mellow and intimate second sonata.

Schubert’s exquisite Sonata, D821 was the only work of any significance to have been composed for the arpeggione. This curious hybrid instrument, a cross between a guitar and a cello, was invented in Vienna in 1823 but never attained popularity. Schubert’s sonata languished in obscurity, unpublished for decades after his death and was discovered in Vienna by the great British scholar Sir George Grove – he of the music dictionary fame.

Copies of Robin’s and Tim’s CDs will be on sale at the concert, including their acclaimed recording of Shostakovich’s Viola Sonata and six pieces from Prokofiev’s Romeo and Juliet

“The (Shostakovich) Sonata, which received its premiere after the composer’s death in 1975, has a hypnotic power and is brilliantly played here by Robin Ireland and Tim Horton.” (New Classics.com)

“From the opening notes we become aware of the viola’s warm and very singing human voice.” (International Record Review)

“Robin Ireland is at his lyrical best in the’ Balcony Scene’ and unleashes great reserves of sound in the menacing ‘ Dance of the Knights’”  (The Strad)

“Ireland and his excellent colleague Tim Horton catch the soulful warmth of the Young Juliet……..Together they make a fine ensemble”  (MusicWeb International)

Programme:

Brahms: Sonata in F minor, Op.120 No.1
Schubert: Sonata in A minor, D821 (Arpeggione)
Brahms: Sonata in E flat major, Op.120 No.2

 

Tickets are £15 and can be booked online here (but website may fail to work until second week of June) or by calling the box office 01728 648265. Also available from Focus Organic, Halesworth and Serendipity, Southwold

{ 0 comments }

Photo Paul Mitchell

BEETHOVEN PREMIERE AT POTTON HALL

Fresh from receiving his latest Gramophone award, for his recording of the Ravel concertos and Debussy’s Fantasie, the charismatic French pianist, Jean-Efflam Bavouzet, returns to Potton Hall for the next installment in his series of Beethoven sonata performances.

Last year Jean-Efflam gave an unforgettable recital at Potton Hall including Beethoven’s Pathétique Sonata and this time he will play the three sonatas of Beethoven’s Op.10.

Jean-Efflam will also give the first public performance of an earlier version of the first of these sonatas, including a discarded scherzo and an expanded version of the finale. This first sonata of the Op.10 sets an intense, dramatic work in the significant key of C Minor. These are highly contrasting works, beginning with the intense drama of the first, in the significant key of C minor in which the shadow of fate – alias Beethoven’s Fifth Symphony – is never far away. The second of the sonatas is more relaxed, even humorous and tongue-in-cheek at times and the Op.10 set is crowned by the grand and magnificent third sonata, one of the young Beethoven’s greatest achievements.

Jean-Efflam has recently had great reviews for the latest CDs in his Haydn project, all recorded at Potton Hall: “These performances sound natural, appropriate and in perfect structural and expressive proportion… Bavouzet’s recordings have a strong claim to be the finest Haydn playing of recent vintage on modern piano. They are the work of an insightful musician of profound culture and wide interests, whose intellectual and emotional identification with Haydn is unreserved, and whose playing, beautifully captured in technical terms, is a delight to listen to.” (International Record Review, April 2011).

“Bavouzet is perhaps the ideal pianist for Haydn: his clarity of touch, quickness of wit and sensitivity to different soundworlds make him an empathetic interpreter… Just the finesse and vibrancy we’ve come to expect from this superb artist.” (Classic FM Magazine, June 2011)

“Cleanly precise, sure-fingered yet beautifully delicate, Bavouzet warms the heart with his humour and gentle passion… A recording worth rushing to the shops for.” (Haydn: Sonatas Vol. 3 – Classic FM Magazine, November 2011)

Jean-Efflam has recently recorded Debussy’s early Piano Trio at Potton Hall with members of the Brodsky Quartet and produced by Jeremy Hayes and after this concert he will record these three Beethoven sonatas for forthcoming release on the Chandos label.

This concert should be unmissable!

Programme:

Sonata in C minor, Op.10 No.1
Sonata in C minor, Op.10 No.1 (first performance of early version)
Sonata in F, Op.10 No.2
Sonata in D, Op.10 No.3

Tickets are £15 and can be booked online here or by calling the box office 01728 885 650. Also available from Focus Organic, Halesworth and Serendipity, Southwold

{ 0 comments }

Following the great success of her Chopin evening last year, Lucy Parham returns with a programme devoted to the life and music of that most romantic of all piano composers, the great Franz Liszt

Lucy Parham with Harriet Walter and Henry Goodman, two of our best loved English actors, offer an enjoyable and informative insight into the life and inspiration of Franz Liszt. 200 years after his birth, he is praised as one of the most prolific and influential composers in the history of music.

Throughout his life, Franz Liszt burned the candle at both ends. A child prodigy who became the greatest keyboard virtuoso of his time, he was also a prolific composer, whose output ranged from hundreds of piano pieces to symphonies, tone poems, songs and oratorios. An indefatigable traveller, a friend and supporter of Berlioz, Schumann, Chopin and Wagner, his life was crammed full of incident and romance, and he was drawn to women like a moth to a flame. “A Heart in Pilgrimage” was how he once described his romantic life, reflecting also that his choices with women had often been unwise ones.

Drawn largely from his prolific and colourful letters and interspersed with some of his most ecstatic and expressive piano music, Odyssey of Love is a portrait of his relationship with the two most important women in his life: the aristocratic free-thinking rebel and mother of his three children, Marie d’Agoult and the bizarre cigar-smoking intellectual Princess Carolyne von Sayn Wittgenstein.

Acknowledged as one of Britain’s finest pianists, Lucy Parham first came to public attention on winning the 1984 BBC TV Young Musician of the Year Piano Class, since when she has performed extensively throughout the UK and Europe, South Africa, USA, Canada and Russia.

Actress Harriet Walter, who was made a dame in the New Year Honours List, has enjoyed a distinguished career on stage and screen spanning three decades.

Henry Goodman has starred on the British stage and Broadway and is the recipient of numerous awards.

“There is no better version than the one devised and presented by Lucy Parham. A lovely entertainment flawlessly performed.”

The Independent on Lucy Parham’s Dear Clara

Tickets are £15 and can be booked online, or by calling the box office at 01728 885 650 or from Serendipity, Southwold and Focus Organic, Halesworth

{ 0 comments }

“The Brodsky Quartet are the team for the new century”, Gramophone magazine said when reviewing the quartet’s last recording, Rhythm and Texture. It included the Quartet by Maurice Ravel and prompted Norman Lebrecht to comment that “all you want to do when the disc ends is play it again.”

That CD was recorded at Potton Hall where the Brodsky Quartet has collaborated with Jeremy Hayes on several outstanding CDs, of Beethoven and Janacek and most recently on a disc of Encore pieces, arranged by the quartet for their 40th anniversary celebrations. That recording marked the beginning of their new, exclusive contract with Chandos Records and the day after this concert the Brodsky Quartet will begin their second CD for Chandos, of music by Debussy, including the wonderful work which he optimistically entitled “First Quartet”. Would that he had written more of them…..

 

The concert also includes Debussy’s magical Danse sacrée et danse profane for harp and strings in which the quartet will be joined by Sioned Williams, Principal Harpist of the BBC Symphony Orchestra, and it will end with Shostakovich’s Third Quartet. The Brodsky Quartet has made a speciality of playing Shostakovich’s quartets and they will be performing all fifteen of them next year.  The Third Quartet was written in 1945, between Shostakovich’s Ninth and Tenth symphonies and it includes a gripping movement which Shostakovich is alleged to have called “The forces of war unleashed”, which looks forward to the eruptive depiction of Stalin in Shostakovich’s Tenth Symphony. The programme also includes one of Mozart’s most extraordinary last works. An unmissable concert!

Programme:

Mozart: Adagio and fugue in C minor, K546
Debussy: Danse sacrée et danse profane
Debussy: Quartet
Shostakovich: Quartet No.3

Tickets are £15 and can be booked online, or by calling the box office at 01728 885 650 or from Serendipity, Southwold and Focus Organic, Halesworth

{ 1 comment }

Photo courtesy Diane Shaw

“He made of the piano an orchestra of lamenting and exulting voices”, wrote Robert Schumann when the young Johannes Brahms visited him in Düsseldorf, a description that could equally well apply to Jonathan Plowright’s playing.

Hailed as “one of the finest living pianists” (Gramophone), Jonathan Plowright has been a regular visitor to Potton Hall since we arrived in 2003 and since then he has recorded all of his critically acclaimed solo CDs for the Hyperion label here, enjoying a close working relationship with Jeremy as his producer.

Jonathan’s two recordings of Bach piano transcriptions have attracted great critical acclaim, the Observer commenting of his British Bach Transcriptions: “Every so often a CD comes along that I simply can’t stop playing. Here’s one such example.” After Jonathan’s powerful Paderewski CD his Hommage a Chopin released last year received rave reviews in the music press and gathered many awards, including Preis der Deutschen Schallplattenkritik, Diapason d’or, Gramophone Editor’s Choice, Classic FM CD of the week and ABC Classic FM CD of the week.

Now Jonathan turns his attention to Brahms, and we are delighted to welcome him back to Potton Hall for this concert in which he will perform both works which he will be recording during the following few days for the first CD of his Brahms project. Brahms’ mighty Sonata in F minor was one of the works-in-progress that he played to Schumann at their memorable first meeting, Schumann describing Brahms’ sonatas as “veiled symphonies”. The Variations and fugue on a theme of Handel, Brahms’ affectionate and monumental tribute to his beloved eighteenth century was a favourite of Schumann’s wife Clara and ranks among the greatest sets of piano variations ever written.

We hope that you will join us for what will no doubt be a memorable evening with this world-renowned pianist in the intimate surroundings of the Potton Hall studio.

Programme:

Brahms Sonata in F Minor
2 Chopin Nocturnes
Brahms Variations & Fugue on a theme by Handel
Tickets which are £12 each can be booked online and are also available by calling our box office at 01728 648265 or please visit Serendipity, Southwold and Focus Organic, Halesworth

{ 1 comment }

Jessica Duchen (author/reader), Bradley Creswick (violin), Margaret Fingerhut (piano)

Hungarian Dances is a dazzling journey in words and music through the story of the bestselling novel of the same name by Jessica Duchen.

Jessica Duchen reads extracts from her acclaimed novel, which follows the turbulent story of a Gypsy girl who becomes a famous classical violinist, but at a terrible personal price.  The tale is richly illustrated with music performed by the renowned virtuoso violinist Bradley Creswick and the award-winning pianist Margaret Fingerhut, in a programme which includes music by Dohnanyi, Debussy, Brahms, Bartok and Ravel’s Tzigane, as well as some dazzling pieces in the Gypsy style.

The concert opens our weekend Kickstart Writing Course, a residential course led by Jessica herself.

Tickets which are £12 each can be booked online and are also available by calling our box office at 01728 648265 or please visit Serendipity, Southwold and Focus Organic, Halesworth

{ 0 comments }

A Christmas Concert Sunday 5th Dec at 4pm

It’s delightfully white here at Potton Hall – ready for our Christmas concert! You can look forward to a concert of festive music performed by the extremely talented North Suffolk Youth Choir directed by Vetta Wise and accompanied by Jonathan Rutherford, recorded live for their first CD in the beautiful surroundings of the Potton Hall Recording [...]

Continue Reading

Jeremy Nicholas reviews Libor Novacek’s recital

We’re honoured and very grateful to Jeremy Nicholas who took the time to review Libor Novacek’s concert at Potton Hall last Saturday night. It says something for the discernment and dogged determination of rural East Anglians that they forsake the dubious pleasures of Strictly and The X Factor, venture out on a chilly night, wend [...]

Continue Reading

Concert 6: Libor Novacek (piano) Saturday 13th Nov 19h30

When the young Czech pianist Libor Novacek won the first Landor Competition in 2005, the prize was a CD recording with Jeremy at Potton Hall. An instant connection was made between Libor and Jeremy and an acclaimed CD of music by Janacek, Martinu and Ravel was the result of their first collaboration. Libor has found [...]

Continue Reading

Reflecting on Jean-Efflam Bavouzet’s Beethoven

It has been more than a week since Potton Hall was treated to a wonderful concert by the acclaimed pianist Jean Efflam-Bavouzet. For me, it was a concert of command and charisma and the pleasure was heightened by Jeremy and Jean-Efllam’s discussion before each half of the performance. No where have I learnt so much [...]

Continue Reading